Community Weblog - [ Arts - Visual ]

The Cinema Effect

(SCENE) Announces a Call-for-Proposals: 3D and 4D art

Sleeping and Dreaming

The Wellcome Collection, a gallery in London, is hosting an exhibition on "Sleeping & Dreaming."

This seems to be a perfect fit for an organization that focuses on Medicine Life and Art.

Themes include:

• Dead Tired
• Traces of Sleep
• Dream Worlds
• Elusive Sleep
• A World Without Sleep?

The show runs November 29th, 2007 through March 9th, 2008 and is free to the public.
Gallery: 183 Euston Road, London NW1 2BE

[cross posted on thynk]

(SCENE) Announces A Call-For-Proposals: Mail Art

(SCENE) Announces A Call-For-Proposals: "Collage"

EAST LANSING, Mich. - East Lansing's alternative art space, (SCENE) Metrospace announces a call-for-proposals for an upcoming exhibit based on the concept and technique of collage.

(SCENE) presents an in-depth investigation into an artform that has evolved from scissors, glue, and magazines into the contemporary fine art realm, encompassing assemblage, video and audio collage, and conceptual artworks.

The exhibit will be juried by North Carolina-based Julie Thomson, whose dedication to collage includes self-publishing La Colle, a 'zine style journal chronicling collage artworks, as well as providing information and reviews about collage artists and collage-themed exhibits.

Artists of all types are invited to submit current, original works for this juried exhibit. The exhibit will take place from October 27, 2007 through December 16, 2007. All entry materials are due Friday, October 5.

Entry materials must include a current artist's biography and/or artist resume, as well as an artistic statement to accompany the proposed artwork(s). Submissions may be sent as .jpegs or .gifs, either on a CD mailed to the address below, or e-mailed to scenemetrospace@gmail.com.

Eminent Domain | Appropriation in Creative Practice

	Dispatx Art Collective | Curatorial Platform
	Eminent Domain examines notions of blockage, recourse and resistance that can emerge in diverse contexts – and what it can mean when these manifestations are channelled into artistic product. The seventh collection of Dispatx Art Collective includes works developed by visual artists, musicians, writers, dancers and performance artists. The collection, which can be seen in Show, includes works developed online as part of the site as well as submissions of completed work related to the theme. In addition, and as a part of an ongoing investigation of curatorial practice, the Eminent Domain forum will remain open throughout the duration of this collection. The curatorial narrative is best articulated through a correspondance between various readings. While projects such as Hospital 106 4º1ª by Jordi Canudas and Isabel Banal and Someone Called Me... by Emma Wilcox are the works which most directly address the theme at hand, projects such as Green Screen by Neil Chapman and David Stent, or Ellen Zweig’s My Language Overwhelms Her Text, use literary fiction to generate multiple attempts and points of inflection. We are also pleased to announce the start of exploration of works related to the theme Appropriation in Creative Practice, which can be followed over the coming six months in Make. These pieces, including works by Sandra Gamarra, Scott MacLeod, Åsa Ståhl and Adad Hannah, also include among them the projects funded through our inaugural commissions program. The completed collection will be published in March 2008. We are open for submissions of completed work until the 26th of January 2008. For more information: dispatx.com/submissions/
	About Dispatx
	Dispatx Art Collective is the leading curatorial platform for the development and presentation of contemporary art and literature. Make is a showcase for work in progress related to the current theme, Appropriation in Creative Practice. Projects are developed online via integrated documentation tools allowing artists to post regular updates to their work in a continuous investigation of the creative method.
	This work is licensed under a Creative Commons license | ISSN 1750-9505

worldo

artafterscience updates:

SLEEPSONG

GEOMETRÍA BLANDA

SUPER AVANT GARDE FLASH MULTIMEDIA INTERACTIVE NET ART WITH A LOT OF SENSIBILITY FOR OTHER PEOPLE WITH ALOT OF SENSIBILITY

http://cumshot.cl/habafropzipulops/so-you/

http://cumshot.cl/habafropzipulops/the-pleyades/

http://cumshot.cl/habafropzipulops/droks-ar-laik-dat/

http://www.cumshot.cl/ihateflash/

http://cumshot.cl/habafropzipulops/ahueonao/

Improvised Maps | Eminent Domain

	Dispatx Art Collective
	We're pleased to announce the publication of the sixth edition of Dispatx, which coincides with a complete redesign of the website. Curating and developing works from poets, photographers, painters and writers, for this edition we once again present an extremely diverse set of responses to the notion of Improvised Maps. These works in Show include a dozen projects developed online over the last five months and seven additional submissions including work from Gonzalo Puch, Denis Masi, Andrea Brady and Daniel Canogar. In addition the exploration of the theme Eminent Domain can now be followed on a daily basis. Until June 2007, the Make area of the site will feature the work of seventeen projects chosen to explore the theme. These include works by Emanuel Licha, Juan delGado, and Paulina Varas. The Studio, an integrated set of documentation tools, allows the artists to post regular updates to their work in a continuous investigation of the creative method - the organisational process that translates creative vision to creative product. Through making comments on the artists' process in Make, site visitors form a part of this organic process. We have provided a set of tools allowing you to create private collections, leave comments, and subscribe to RSS feeds for the projects that interest you the most. To familiarize yourself with these changes, please take the site tour.
	About Dispatx
	Dispatx provides the tools of a socialised internet for the development and presentation of contemporary art and literature. Visitors are invited to interact with the artists via the online display of their working processes, and to create unique private collections of the finished works. Through this process we seek to establish a new curatorial discourse based on artistic working practices.
	This work is licensed under a Creative Commons license | ISSN 1750-9505

SYNC 07

As the discipline of digital arts enters its adolescence a more diverse group of artists are trying their hands at expressing themselves with the aid of ones and zeros. This year's SYNC 07 Digital Arts Festival will display some of the best cutting edge talent in the area. From March 9th to the 19th the Duderstadt Gallery will be home to video, audio, 2d and 3d art - all either created by digital means or commenting on the increasingly digitized space in which we dwell. This year's show will highlight a diverse sampling of the endless possibilities the digital realm has to offer.

The Gallery Opening will be held on Friday March 9 th , from 5:00pm to 7:00pm

Mar. 9 th :

The Betamales (www.myspace.com/MCTrashpedal) Ian Fulcher (of Hot Meat for Young Lovers and Drafted by Minotaurs on trumpet, various inputs, trashpedals) Vince Swain (of Dabenport on guitar, effects) and Paul Bancel (of The Riots on Drums) perform abstract, ambient noise soundscapes to short silent films.

de • fenestra: (http://www.white-rose.net/defenestra/) will feature Elijah Church (tabletop guitar, sheng, wood flutes), John Wolf Mcintyre (theremin and harmonium) and Will Soderberg (laptop, signal processing, midi guitar) performing live improvised electronic music with projected video accompaniment.

shenanigans.tv (www.shenanigans.tv) reshapes reality by deconstructing and reassembling the world around them to create new understandings and new levels of communication. The simultaneous combination of technology, media, and movement in their live performances and recorded projects drives home the true meaning of seamless integration.  They will be joined by nationally renowned sculptor Steve Baibak, and performing artist Natalie Winans.

(SCENE) Metrospace - Moving, Movement, Motion!

(SCENE) Metrospace Update

(SCENE) Metrospace, East Lansing's alternative art and performance space, will soon be leaving it's home of three years at 303 Abbott.  An exact date and destination are unknown at this time, but the former Kent Bank building on the corner of Abbott and Albert is slated for demolition sometime in 2007.

In the mean time, (SCENE) continues a full schedule of exhibits and entertainment:

Friday, January 19 - (SCENE) debuts "DATA TRANSFER," an exhibit of technology-driven art with a public reception from 6-9 PM featuring music by Blank Artists:  a live set by Theater of the Absurd and a DJ set by Drew Pompa.  Additionally, there will be interactive digital sand-painting on an illuminated sand table provided by David Ringlein.  The public can produce and print their own full-color digital sand paintings!

Saturday, January 20 - witness the return of 517NoiseFest:



visit 517Noise for more details!  This is a shared event spanning three communities and three venues: the DAAC in Grand Rapids and the Panopticon in Lansing.  Noise artists appearing on the Friday and Sunday bracketing (SCENE)'s Saturday show include such noise movement luminaries as Dead Machines, Hot Tapes, Princess Dragon Mom, Aaron Dilloway, and Treebot.

Thursday, January 25 - (SCENE) will host virtuoso marimba soloist Nathaniel Bartlett.  Feauturing a state-of-the-art digital sound projection array, Bartlett plays "serious modern Western art music on a serious modern instrument - the modern marimba."  We are pleased to stage this concert, which is open to the public.  Doors open at 6:00 PM, the music begins at 7:00 PM, and there is a nominal cost of $5 for this unique sensory experience, offering "total immersion in sound."  Seating is limited.

Stay tuned for more breaking news, including the unveiling of our brand new website!!

(SCENE) Metrospace is located at 303 Abbott Rd. in East Lansing, Michigan.  Regular hours are Fridays and Saturdays from 6-9 PM and Sundays from 1-4 PM.  Additionally, the gallery is opened through the gracious support of volunteers Wednesday, Thursday, and Friday afternoons from 1-4 PM.

Films 4 [Conservation]

Our good friends, Nick Lyon and Evie Wright, have just initiated a wonderful web-based resource for conservation, photography and film/video.  Nick and Evie (who contributed an audio piece on jomas v.1) created Cockroach Productions nearly 2 years ago and have since made a huge impact with their work. They almost singled handly changed the UK's Palm Oil market from one that encourages the destruction of Indonesia's rainforests and orangutan habitats to a sustainable one. Their new initiative is www.films4.org a hub for conservation media, wildlife film and photography with  specialized pages in ape, tiger and elephant conservation. From Nick & Evie:

Films4.org is an experimental resource for conservationists, filmmakers and photographers dedicated to conservation of our enviroment and wildlife [ed]. Currently running as a BETA test.

The idea of this site is that it becomes a lively and dynamic first port of call for your daily web browsing. We aim to collect all the news that you find most interesting and which will be kept up to date with RSS web feeds.

We are trying to make the most of the beauty of the internet and the democratisation of information through new ways of finding information and spreading it. We encourage conservation groups to take advantage of free internet tools available to them to spread their message - not just through their own websites - but through others like this - do you have a blog? do you run RSS feeds? if you don't you are missing out on the chance to reach new audiences and supporters. Have a look at the live news feeds below to find out why.

We are also trying to make available some of the most exciting media available - video - this can be locally or internationally targetted - but if you have educational conservation videos available online then tell us about it so we can collect them here.

Wishing for Synchronicity : Works by Pipilotti Rist

Contemporary Arts Museum Houston, USA
Dates: On View Through January 14, 2007
http://www.camh.or

Contemporary Arts Museum Houston presents first U.S. survey exhibition for Swiss video artist Pipilotti Rist

HOUSTON, Texas – This fall, the Contemporary Arts Museum Houston presents Wishing for Synchronicity: Works by Pipilotti Rist, the first comprehensive U.S. survey of the seminal work of the Swiss video artist. Organized by curator Paola Morsiani, the project brings together Rist’s most significant work from the mid-1980s to the present. Wishing for Synchronicity: Works by Pipilotti Rist is on view through January 14, 2007, touring nationally following its Houston presentation.

“Pipilotti Rist is a tremendously innovative and distinctly personal voice in contemporary art. As a master of her chosen media, she uses her large and small projections to place the viewer within her world, provoking the contemplation of broad issues through her individual actions,” said Contemporary Arts Museum Houston Director Marti Mayo. “We are proud to have organized her first survey exhibition in the U.S. for our diverse regional, national and international audiences, thereby continuing the Museum’s almost 60-year tradition of presenting the best and most exciting art of our time.”

Wishing for Synchronicity: Works by Pipilotti Rist includes eight of Rist’s early single-channel videos, six large projections, and three additional works. The exhibition features a selection of significant works spanning her career, such as I’m Not the Girl Who Misses Much (1986) and Sip My Ocean (1996), in which pleasurable images and music quickly become metaphors for hysteria and suffocation, and Ever is Overall (1997), in which the camera follows a female walking through city streets, smashing car windows with an iron flower as she meanders.

“Through her use of video, Rist combines the worlds of art history and mass culture to create her own visual language,” said exhibition curator Paola Morsiani. “She uses this convergence to intelligently explore the power of our mind and its connection to the body as well as the pervasiveness of our sexual experience and its link to our mortality; and she expresses her profound empathy and hope for the times in which we live.”

Rist recently accepted a prestigious commission to create the visual identity for The Armory Show 2007, The International Fair of New Art, to be held next February in New York City.

Rist was born in 1962 in Switzerland, and studied at the Academy of Applied Arts in Vienna, Austria and the School for Design in Basel, Switzerland. Her work has been shown at the Venice Biennale; the San Francisco Museum of Modern Art; the Metropolitan Museum of Modern Art, Tokyo; the Solomon R. Guggenheim Museum, New York; and the Museum of Contemporary Art, Chicago. She lives and works in Zurich, Switzerland.

Eminent Domain | Call for Proposals

In old English law, eminent domain refers to the power of the state to take private property without the owner’s consent. Since the mid-19th century it has been employed as part of large-scale development projects and urban renewal – controversial practices that can be extremely destructive for local communities. The policy is often implemented when there is a perceived obstruction blocking the progress of a particular project and powers of override must force its conclusion.

In investigating this theme we call for artists to recast the concept of eminent domain in the context of creative work. Here it becomes similar to recourse – in the face of blockade, alternative and often radical tactics may be resorted to in order for an idea to move forward. At a point of critical mass existing systems begin to fail, invoking a form of negation and opening up a space of uncertainty. This uncertainty may force a radical reformulation of a work at a crucial moment of its incompletion and potential.

The concept of regeneration is helpful in investigating this theme with regard to process revision and its relation to the creative method. Literally beginning again, regeneration suggests a recursive, self-referential procedure. It also indicates different approaches to revision: on one hand there can be subtle, incremental modifications of existing structures, systematically inching toward a result. On the other there can be a Kuhnian paradigm shift – a more radical action that can demand a clean slate from which to begin from scratch.

The interplay of these strategies and the conditions that formulate them are fascinating areas of exploration. To what extent are points of resistance and conflict essential for shaping creative decisions? Are great ideas born of frustration or along paths of least resistance? What kind of space does this recourse open up?

In this context, the theme of eminent domain speaks not only to literal interpretations concerning revised landscapes, power relationships and innovation from decay, but also to a broader theoretical reading about the space opened up by an enforced change of approach. The use of these concepts, either as the subject of investigation or as a guide to process and methodology, will result in a fascinatingly diverse group of projects for the next edition of Dispatx.

For more information on how to submit, please click here.

Dates :

Final date for sending project proposals : 16 December 2006

Publication of collaborative project proposals : 15 January 2007

Details :

Dispatx (www.dispatx.com) provides the tools of a socialised internet for the development, organisation and presentation of contemporary art and literature.

back in the attic again!

once in a while you find something truely extraordinary...

Seven Days of Art and Interconnectivity in San Jose AUGUST 7-13, 2006

"You meet a squirrel—he wants you to do karaoke. A South African artist wants to turn your skateboard into a musical instrument. What is going on? It's the ZeroOne festival, and it's a full-scale art attack on San Jose."

http://01sj.org/content/blogsection/14/49/

The Deadline approaches, but do not fear...

Repercusiones y Resonancias

The 2nd Annual Journeys of Visual Anthropology
A week long event featuring:

• The independent documentary movement against the new Radio and TV National Law.
• Documentary, memory and social movements.
• Institutional programs that promote viusal anthropology.
  
• Visual anthropology and religion.
• Anthropological photography and photojournalism.
• From documentary to video-art and the philosophy of images.
• Screenings of mexican contemporary ethnographic documentaries  (including Q&A sesions with the directors and comments by anthropologists)
• Opening: "In the pit" by Juan Carlos Rulfo, comments by Nestor Garcia Canclini
• Perspectives: A photo exhibition by Jose Carlo Gonzalez
• La Revolucion imaginada: A traditional votive paintings exhibition by Alfredo Vilchis

From August 14th to August 18th. Nacional School of Anthropology and History, Mexico City.
View program here.

 

julie @ electromind.

props to julie meitz for showing other expats how it's done. jullie is a vj/fj originally from detroit, was on OCC's [ jomas ] compilation, and lent her impressive film jockeying skills to our release party last june. she moved shortly thereafter to lyon, france and has been keeping busy since.
she emailed the flyer for her most recent gig, Electromind, to me last week and i mistakenly thought the date was in august, and hadn't posted it yet. so, yes it's too late to get tickets. but you can still marvel at the impressive line-up. and next time you're in france, see if julie's playing.

http://julie.meitz.free.fr/

"Anger: the Best Medicine" exhibit opens this Friday!

... also including a late arrival, a brand new sculpture by Matt Cygnet which will stop you in your tracks.

WHERE:  SCENE Metrospace Gallery, 303 Abbott Rd., East Lansing, MI 48823

WHEN:  6-9 P.M., Friday July 21

WHAT:  An opening reception featuring poetry by Nicolas Hampton and other local voices, refreshments, and mingling artists.  FREE and open to the public, however space is limited...